talking film - vertaling naar Engels
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talking film - vertaling naar Engels

MOTION PICTURE WITH SYNCHRONIZED SOUND
Talkie; Talking motion picture; Talkies; Sound picture; Talking picture; Sound movie; Sound pictures; Synchronized sound; Sound films; Talking pictures; Talky; Non-silent film; Talkie film; Sound era; Talking movies; Talking film; Motion picture sound; Synchronized motion picture sound; Talkie revolution; Sound cinema
  • Iberian language]].
  • ''[[Alam Ara]]'' premiered March 14, 1931, in Bombay. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds."<ref>Quoted in Chatterji (1999), "The History of Sound."</ref> It was shot with the Tanar single-system camera, which recorded sound directly onto the film.
  • First National]]'s inaugural talkie. The film was released in December 1928, two months after Warner Bros. acquired a controlling interest in the studio.
  • dubbing]] capacity, her dialogue was simultaneously recorded offscreen by actress Joan Barry. Ondra's British film career was over.<ref>Spoto (1984), pp. 131–32, 136.</ref>
  • Premiering February 1, 1929, [[MGM]]'s ''[[The Broadway Melody]]'' was the first smash-hit talkie from a studio other than Warner Bros. and the first sound film to win the [[Academy Award for Best Picture]].
  • Kinetophone]], combining the [[Kinetoscope]] and [[phonograph]].
  • Woodstock]]'', 44 years later.
  • Don Juan]]''
  • [[Eric M. C. Tigerstedt]] (1887–1925) was one of pioneers of sound-on-film technology. Tigerstedt in 1915.
  • 1900 Paris Exposition]] using the Gratioulet-Lioret system.
  • Movietone]], together on the same bill.
  • Image of sumo wrestlers from ''Melodie der Welt'' (1929), "one of the initial successes of a new art form", in [[André Bazin]]'s description. "It flung the whole earth onto the screen in a jigsaw of visual images and sounds."<ref>Bazin (1967), p. 155.</ref>
  • Director [[Heinosuke Gosho]]'s ''Madamu to nyobo'' (''[[The Neighbor's Wife and Mine]]''; 1931), a production of the [[Shochiku]] studio, was the first major commercial and critical success of Japanese sound cinema.<ref>Nolletti (2005), p. 18; Richie (2005), pp. 48–49.</ref>
  • Newspaper ad for a 1925 presentation of Phonofilm shorts, touting their technological distinction: no phonograph.
  • David Thomson]] puts it, "sound proved the incongruity of [her] salon prettiness and tenement voice."<ref>Thomson (1998), p. 732.</ref>
  • The first Soviet talkie, ''Putevka v zhizn'' (''The Road to Life''; 1931), concerns the issue of homeless youth. As [[Marcel Carné]] put it, "in the unforgettable images of this spare and pure story we can discern the effort of an entire nation."<ref>Carné (1932), p. 105.</ref>
  • ''[[Show Girl in Hollywood]]'' (1930), one of the first sound films about sound filmmaking, depicts microphones dangling from the rafters and multiple cameras shooting simultaneously from soundproofed booths. The poster shows a camera unboothed and unblimped, as it might be when shooting a musical number with a prerecorded soundtrack.
  • ''The Jazz Singer'' (1927)
  • amplitude]] of the audio signal at each instant.
  • adj=on}} reel of 35&nbsp;mm film.
  • ''[[Westfront 1918]]'' (1930) was celebrated for its expressive re-creation of battlefield sounds, like the doomful whine of an unseen grenade in flight.<ref name=Kaes />

talking film         
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film sonoro

Definitie

talkie
(talkies)
A talkie is a cinema film made with sound, as opposed to a silent film. (OLD-FASHIONED)
N-COUNT

Wikipedia

Sound film

A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923.

The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited sound sequences) was The Jazz Singer, which premiered on October 6, 1927. A major hit, it was made with Vitaphone, which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, would soon become the standard for talking pictures.

By the early 1930s, the talkies were a global phenomenon. In the United States, they helped secure Hollywood's position as one of the world's most powerful cultural/commercial centers of influence (see Cinema of the United States). In Europe (and, to a lesser degree, elsewhere), the new development was treated with suspicion by many filmmakers and critics, who worried that a focus on dialogue would subvert the unique aesthetic virtues of silent cinema. In Japan, where the popular film tradition integrated silent movie and live vocal performance (benshi), talking pictures were slow to take root. Conversely, in India, sound was the transformative element that led to the rapid expansion of the nation's film industry.